pretty smile

the unfolding

my love, you drive me to distraction.

sweet
pretty smile
[info]jfink216
short and sweet- i am weary, but happy. so tired, so sore down to my bones, but so full and sated. i am living a life that i love. tonight, that is more than enough for me.

months
pretty smile
[info]jfink216
[my justification for posting this: everyone writes awful pieces sometimes. this just happens to be one of those times.]

month one
she is irrepressible beauty-
a loud laugh, a lazy love,
a green toothbrush by my sink

month two
i am full of her
and the things she is
and wants to someday be

month three
i think maybe that i love her
and look at rings
and call my parents

month four
i do love her
but it makes me hurt;
the truth is harder than before

month five
i discover she is wrong
but it doesn't make me right
it does not make this right

month six
she throws a fit, i throw a vase
but later throw her on the bed
we pretend it never happened

month seven
i see her in a grocery store
with someone else-
she laughs, and i slip out the aisle

month eight
i leave apartment keys on her table
with a cardboard box of things
she leaves me nothing

month nine
i get a call at three a.m.
'i was late. i thought i'd check.'
i'm at her door at three fifteen

month eighteen
we start over, intertwined
by pink blankets and mattel
and loving someone else, together.

and in all things
pretty smile
[info]jfink216
and in all things-- when the darkness turns to dust, when we are broken down to bones alone-- i will think of you as loving me. and i will not be afraid.

words on
pretty smile
[info]jfink216
here i am, wordless again...
and i just can't be sure i'll ever change.

-rosie thomas, "paper doll"
words on leaving: i pack my bag in the dead of night because it seems wrong to leave loudly. he snuck into my life and i will sneak out of his.

words on staying: i unpack three hours later, shaken and shaking my head. it was an isolated incident. it will not happen again.

words on truth: i spill it all out over his kitchen table over breakfast. he's not seeing anyone else and neither am i but i've been dreaming of other men, men i know and work with and not the man i sleep next to every night. in my dreams they hold the door open for me-- the door of our house, the green front door of the place i have spent three years in with him-- and i leave with those men. in the dream, i am always singing.

words on lies: he tells me that kind of thing happens, that we can't be expected to be completely faithful just because we love each other. it makes me wonder what he dreams about and why he never wakes me; i hear him sneaking to the bathroom at four in the morning, like my body is not enough.

words on opinion: there is a certain amount of settling involved in everything. one cannot be expected to attain all they wish for. he bought a house with me and that means he cares about me and he's making an effort. that's what counts.

words on fact: it is all wrong.

leap-frog
pretty smile
[info]jfink216
somehow it all comes back to human fragility. a bird is born and breaks a wing, we love each other and we hurt each other and we live imperfect lives. there is nothing non-cyclical; what has come to pass must eventually move on. we are caught in between a series of moments at every nanosecond of our lives, we are forever in transit, constant kinetic energy used to propel us forward. neurons are constantly firing every physical sensation we could ever have across one synapse to the next. leap-frog feelings. the lace-like intricacy of the human body. somehow, even in our better moments, we are not astounded by these truths.

thought
pretty smile
[info]jfink216
thought of the day: why do two-lane roundabouts exist? does one really have enough time to merge to the inner lane, then merge out, then exit?

ability to create
pretty smile
[info]jfink216

i sit in my car in the church parking lot. it's late and dark and raining; i'm next to invisible in my little black dodge neon. a woman pulls up beside me and gets out the car. she's older-- maybe in her sixties or seventies-- and she walks slowly, the huge golf umbrella in her right hand sheltering her and a two foot radius of the cement from the fat raindrops. she steps under the awning of the church and it occurs to me that she probably doesn't see me, sitting fifteen feet from her. i suddenly feel as if i'm intruding on something extraordinarily private and i have a strange compulsion to turn on my hazards just so she knows i'm there. i don't, though. i just watch.

she shakes out the big white and green striped umbrella, wrinkled hands clutching tightly to its base. she taps and then hits it against the edge of the building, willing the moisture out by force. i swear i see drops of water flying off the fabric, but i know it's impossible, i'm not nearly close enough and it's dark outside. somehow i see it all the same.

it occurs to me that these are the moments of writing as organic as they come. to watch a woman you do not know-- a person who does not know they are being observed-- carry out this menial task of drying off her umbrella... it's captivating in the most ordinary way. and you think, 'i should write about that.' and it doesn't even occur to you that nobody else in the world could possibly give a shit about this woman or her umbrella, but it has lodged itself in your mind and that is enough; it has lodged itself somewhere deep in me and grown rapidly until it was birthed. a child, but in the space of nine minutes instead of nine months. the literal and metaphorical fruits of creativity. the mind's capability to create.

wow. really...wow.

against bones
pretty smile
[info]jfink216

in the morning, it'll find you
let the light shine a way
down a road that's leading me nowhere--

and there's no way around it
could this be our last dance?
fall asleep with the tv, darlin'
i'll be back again

--augustana, "twenty years"


the air here is pregnant with rain. it threatens it. it inches its way up from the coast with its seventy-mile-an-hour winds. i hope for it. there is something about the rage of nature that inspires and terrifies me. it makes me feel small and helpless and in a lot of ways i love that; it helps to be reminded that my bones are brittle and they will break and it is a true miracle we as humans exist for so long in any case. it makes me think of ash wednesday at Mass, the black cross-shaped smudge on my forehead: remember man, you are from dust, and to dust you shall return. remember that your body is only a thing you have for a little while. i was looking at myself in the mirror today and i thought about the elasticity of skin, how the things i love will eventually detach themselves from me, clinging half-heartedly against my bones. my body knows it is ending before my mind is willing to accept it. from the minute we are born we are dying; from the minute we die we are living. it's all so perfect, i know i could never consume it all.

i put my shaking hand on the cheap blinds and it rattles them, this cacophony of sound, this audiovisual chaos. it's so dark, the earth is closing in on itself and it's so fucking beautiful i can hardly stand it.

right things
pretty smile
[info]jfink216

our hands, they seek the end of afternoons
my hands believe and move over you
tonight, we're the sea and the rhythm there
the waves and the wind and night is black

-iron and wine, "the sea and the rhythm"

so, truth: my life is not nearly interesting enough to write every day.

i am making chicken in our crock pot for dinner tonight. i thought i would be a slow-cooker kind of gal because it's hard to mess up and requires little to no attention, but i'm far too impatient for it. i keep checking to make sure it's cooking-- it is, but slowly. obviously. we decided to go for broke and just buy a whole chicken and stuff it in there, except for i'm cheap and bought a crock pot that's too small to fit it. i had to cut off its arms and legs and put them in separately. for a girl who would not survive three days as a vegetarian, it was strangely disconcerting.

she shows up at ten thirty with red eyes and a duffel bag. she's on the phone with her mom when she walks in, and i get us water while she sits on our faux-leather couch. i set the two plastic cups down and take a sip of my own. she hangs up the phone, sighs deeply, and takes a drink. if circumstances were different i would have offered her something stronger. she looks at me and i see the pain working its way up her face; her lips make a thin line, she sucks in her cheeks until the bones are prominent on her face, her brow contracts.  the shadows under her eyes spell it out: two years, all brought down to the fact that it isn't right anymore.

she stays the night with me in my big, new bed. she's only the second person ever to sleep in it with me-- my roommate was first, when her friends came to visit and we gave them her room-- and i'm asleep by twelve thirty. she is awake for another half hour, praying a rosary. in the morning she tells me that she made it halfway through the second decade. it beats my average. i get out of bed at 7:45 to take a shower and wake her when i get out. we take the bus to campus and go to our 9:00 classes. i do not pay attention in french.

she sits in my room later that morning. we make cds and talk about faith and God and plans. we talk about sex and want and loss. we talk about the things we risk in order to be in love. two years, she thinks. two years and i walked away and it was right but it hurt.

sometimes the good things hurt
, i say. sometimes the right things hurt.

she sighs and speaks and my heart breaks a little bit for her.

yeah. sometimes they do.

"we are here to ruin ourselves"
pretty smile
[info]jfink216

we sit in a half-circle around the room. we had moved to make room for the tv, but it's no longer the primary focus; the movie ended five minutes ago. now my professor faces us, green eyes wide, hands moving sporadically. her northern accent comes out when she gets flustered about something. right now it sounds like she just stepped off the subway in new york.

we're talking about the monologue by nicholas cage in "moonstruck." in the movie, he's standing in the cold with the woman he loves-- who is also his brother's fiancee-- convincing her to come up to bed with him:

Loretta, I love you. Not like they told you love is, and I didn't know this either, but love don't make things nice - it ruins everything. It breaks your heart. It makes things a mess. We aren't here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and die. The storybooks are bullshit. Now I want you to come upstairs with me and get in my bed!

"so how do we do it?", my professor asks.  "how do we keep ourselves from getting our hearts broken?"

nobody speaks because there is either one answer or there is no answer at all. "we choose not to love", i say.

"that's right. we choose not to love. we push away anyone who tries to get too close, we shut ourselves off from family and friends. we isolate ourselves so that if people die they don't hurt us. but here's the thing- our heart gets broken anyway because we're lonely. there's no way to avoid it. and i think that if you're going to make a mistake with your heart and loving people, you shouldn't make it following someone who is 'good for you' but you don't love. make it falling on your ass for the person who is so totally wrong for you but you are so in love with it's impossible not to get hurt.

"i mean, i'm not saying you should date a repeated offender or a man or woman three times your age. just...you're young. fall in love with someone you can really mean it with. staying with someone because you're afraid to be alone-- doing anything because of fear is the worst thing. go get your heart broken and mean it. okay?"

okay, professor troy. okay.

living in boxes
pretty smile
[info]jfink216

 

[sorry this is such a lame entry. i am forcing myself to write, which i know is so good for me, but i hate it at 11:16 at night when i have other things to do.]
 

talk about the weather-
will you miss me ever?

anna nalick, "drink me"


insult and injury rolled up into one: to walk away. to leave something behind. it reminds me of lost luggage or shoes tied tight at the laces and thrown over telephone poles, one earring without its match. people alone. things that make us shake and shake.

people ask me what i will do with an english degree. first i tell them that i will probably live in a box for a while and we both laugh (apparently it's a joke) and then i mention something about editing and publication. the truth is that i have no desire to do those things; i have absolutely no professional ambition besides making enough money to not die. my eleventh grade english teacher told me that i set back the womens' movement by twenty years, and i think she may be right. i want to be a wife and a mother. i want to be a writer and a volunteer for some kind of charity work. i want to do youth ministry. i want things that will pay me nothing, which is a basic lack of self-preservation but is truth all the same.

all i know is there is some sort of intrinsic value in me that makes me a woman worth loving. i'm discovering what that is all about.


 

impromptu
pretty smile
[info]jfink216

[so i chickened out of NaNoWriMo and am doing NoJoMo instead. all these crazy acronyms. i need to start writing again, that's all.]

your hand is warm on my stomach, your thumb resting gently on my ribcage.

devastate: cities, towns, women. it's all you. you are a hurricane; you pick up my life and throw it over your shoulder and walk it out the door. to say that you are a body for my bed would not cover the half of it, but you cover all of me; you are all biceps and forearms and deep lines and letters of the alphabet. you are all the parts of me that i bring forth in darkness and dirty bars, the things hidden inside a black eight-ball balanced on the lip of the far pocket on a thursday night. you are the things pushed up against my skin like needles, the things that break through. the things that draw blood.

chaos theory
pretty smile
[info]jfink216

men in trim suits and patterned ties- the subtle elite, the quiet money, the secret promise. and women too, so many women, women in colors every shade you could imagine, dresses and- even more- gowns, woman with red lips and perfect teeth. women fixing their hair in gilded mirrors, touching up their mascara with their tongue wedged between their teeth; women pulling at the neckline of their dress and surreptitiously adjusting their breasts before striding back into the crowd- these are women who do not wander, these are women with purpose.

it all meets in a moment, women and men pushed against buildings, fist-fights and fists full of hair and something between love and passion and overconfidence, these women in their beautiful dresses pressed against bricks with a patterned tie between their hands and a pant-clad leg between their thighs. the structure of social chaos is all brought together in this moment- when the lights dim and the bricks dig into this one specific spot, when it is no longer about mothers or daughters, women or men, is or has-been.

time and everything after
pretty smile
[info]jfink216

time and everything after

"and this is what i love- that one minute there is a fire and the next there is a calm as you lay your head on my shoulder and i wrap my arms around you, inviting you to rest and to be safe with me. telling you that i know i'm safe with you. letting the admission that we find ourselves in each other drown out all of the other things, and when you bring your lips back to mine i kiss you as sweetly as i can so you know that i mean it. because i do mean it."

 

 

 -private entry, december 2007



time has healed some wounds. let's start at the beginning, with a private entry dated october 2007 that amounts to this: i'm in love. i hate my life. 

 

that is not how i imagine it going when i have my first conceptions of romantic love. i am married off in 1995 to my next door neighbor; my parents tie empty soda cans to the bumper of his battery-powered jeep and we ride off into the sunset of the cul-de-sac. well, in a sense. it is actually the middle of the day and the sun is high, scorching, searing hot against the fabric of my white sunday dress. his jeep runs out of batteries halfway there and they have to push us the rest of the way. it is a makeshift sort of commitment-- i am five years old and not looking to settle down. the whole marriage falls apart, anyway. we probably should have lived together first. i would have discovered his penchant for stealing my cookies and juice before i made the mistake of jumping into a relationship. my family moves away after my younger brother is born, and i do not see that boy again. i leave johnny in my memories, in the driver's side of a faulty car, looking straight ahead and laughing into the sun.

the cycle of leaving and being left: i fall in love and get my heart broken for the first time at fifteen. an italian boy from my youth group who's a good inch shorter than me writes me love songs and leaves me via instant messenger after six months, citing time and space and inevitability. i cry through Mass the next day after he pulls me aside and tells me he really means it. in the end, two men have to basket-carry me out of the church, where my mother meets them in the narthex and has the decency to be embarrassed for me. i learn in that moment that loving does not mean being loved. i leave joe behind then, under a vast sky with shooting stars and the radiance of love before it fades into the darkness.

the cycle of loving and being loved: it takes me over a year to try again. when i do, it is with a boy i have been acquaintances with for years. we are both juniors in high school and he is second in our class of over eight hundred. he is smart and funny and safe and not overly religious; he is exactly what i am looking for, but as soon as it starts i know it is already ending. he takes me out to dinner and opens doors for me and writes me beautiful things in french. he is astoundingly close to perfect, and i convince myself that my heart is bleeding for him when i know it is only bleeding for me. in the end, he writes me a letter telling me he loves me. he tells me he knows i can't say it back yet. he tells me it's okay. we both know it's not. i try to push the words off my tongue, but they will not come. i learn in that moment that qualifications and good intentions are not enough. i leave alex in the winter, burrowed together into his jacket during a football game, the cold of the world pressed against the warmth of our skin.

there are others, but they are passing, men of large dreams but little substance. there are small fissures of my heart to be closed in, but the break is never absolute. months fold in upon themselves and then it is summer. i spend most of my time working as a lifeguard. my mornings are filled with the desperate heat of the sun. it kisses my shoulders, then burns them, and the red flares up and spreads out. it reminds me of my small white sunday dress and my family's history of skin cancer all at once, and i spend the rest of the summer under umbrellas. the days pass slow, drawing out the afternoon like a lazy lover, the sun touching here and there until it sinks into the skin of the earth. this is a summer of guitars and art. finally the heat burns itself away, and then it is september and i am a senior in high school. this is where it begins.

i have known him for years. i have often thought to myself that if only he were a year older, i would have chased him down, but instead he has always been categorically young to me. we have always had a friendship that is light and easy, though never particularly close; we laugh together and exchange tongue-in-cheek birthday gifts but have never spoken on the phone. there is no good explanation for the way i react when he walks in the door on the first day of school, hand-in-hand with his girlfriend of over a year. he is devastating, and it devastates me. i write it off as physical attraction, and it is an easy sell because he has always been widely considered to be particularly handsome. we talk about our summers and all i am thinking is when did you grow up?. i call him one night about something important but small that requires maybe five minutes of conversation. we are on the phone for four hours, and as i hit the end button on my cell it occurs to me that i may be in trouble. as it turns out, i don't know the half of it. this is how september ends.

i fall in love in october. when i finally articulate it to myself it is not a bitter truth, only a resigned one. in my writing i say that it is not a charge forward but a quiet laying down of weapons, not a retreat but a breath of peace. i am afraid of the words, and as soon as i write them i tuck them away. they are truths i do not want, and i decide not to face them. i hope that they will burn themselves away like the heat of the summer that came before them. most people say that love is a miracle, so i pray for whatever miracles are not made of. his girlfriend decides they should take a break and i begin to think that maybe this is God and the proverbial door. october comes and goes in this way.

i hate him in november. he mentions to me over lunch on a friday that he is back with his girlfriend, that things are wonderful and beautiful and glorious and they really never took a break at all. my jaw clamps shut because the words are pushing against it. they are so close, they are spilling through the cracks in my teeth and i choke out what i can- that's great- and i try to end lunch quickly without being conspicuous. i hate him for the words he says and i hate myself for the ones i cannot say, the ones that sit like bile in my throat and taint everything i swallow with sickness. november becomes the month for self-destruction. i am combusting from the inside, but i do not want the fire. i want nothing and everything, and finally the bitterness sets it and i start to believe that maybe he knows. maybe he knows and will not set me free. the thought births a rage inside of me, and it is in this moment that i learn that love and hate are sometimes mutually inclusive. november passes.

i surrender in december. i stop fighting because i know i have never been good at it; i give in to myself and to him and to her. i am bashed against stone and rocked by the sea. i am thrown and tossed. i focus on breathing normally and then the words i have choked back since november are falling out, the words i have held in since i was five and learned about love are coming alive and they are a part of me but also separate entities. i speak as the woman i am becoming and the writer inside of me listens. it takes the words i have that are truth and turns them into declarations, it molds them into bold statements in journals and to mutual friends. he hears the words, takes them simply, and then gives me some of his own. december is the month for these words-- i give him the sweet ones, but i also give him the ones that hurt. i bring forth all that has been stuck in my throat since the conception of loss and i pour it out on him, i make him hurt because in my heart he is not a clean break and he needs to know that. he listens and tends to the wounds he created in me. in time, the brands he has marked on my skin heal over and he sucks the last of his own poison out of my veins. december moves past us.

january comes and for the first time in my life the year really does feel new to me. the battles have been fought and won and lost; what has been done is done. we accept it and move on. it is a month of peace, and we spend it piecing the facts together. we discover who felt what and when, we talk about moments and mental photo albums and regrets. we talk about the people we are and the people we want to be. we talk about working at it together. i make a storyboard of our lives our of my english mind and he marks the mathematical points of intersection. we figure out what all the fuss is about with kissing. we figure out a lot of great things. january comes and goes, and so does february. winter becomes a rainy spring that turns into another summer- somehow hotter than the first- and then to fall. i go away to college armed with faith and his promise ring on my finger. i find myself wishing for something more permanent. the months pass until, suddenly, it is october.

there is something organic about returning to the places we have been. i feel the chill on my skin and think that this is what it felt like outside when i fell in love with him; i see the leaves change and think about how one must have been falling outside the moment i admitted it to myself. this is the third christmas we will celebrate together; it is the third time i will panic about what to get him and the third time he will love whatever it is. this is where everything ended and began for us, but i still have his claddagh ring on my finger and his picture on my bedside table. if what i pray for is fulfilled, it will be that way for months to come.

it is not so much about him as it is about me. this is not an anniversary of anything important for us; this time two years ago, he was seeing someone else and i was trying not to be swallowed up by my own tears. but it occurs to me that i have loved this man for two years, that i have been faithful to my heart and it has been faithful to him. it is a small number on its own, but when divided into twenty- how old i am about to be- it grows to something meaningful. i have loved this man for a tenth of my life. it is a truth and a capability i did not know i had; i am unstable and unsure save for this one thing, and it is the thing that matters. for seven hundred and thirty days i have put my heart in the hands of someone else, and it has not been dropped or broken. there have been cracks and bruises that we have healed together and ones that neither of us can heal. there are wounds that only God can stitch up in both of us, and we bring ourselves to the cross and beg for whatever He has to give us. it is everything. he is everything and i am everything and love is everything, it's everything.

there are words that are still buried in me, things that are dark and light that have not come forward yet. there are new things still to learn, there are miles and miles of skin and scent and touch laid out in front of us, grooves and slopes and curves like mountains. these are journeys we cannot take for a few more years. he traces absent patterns on my skin and veins and i think that he is blazing trails of his own. there are pathways inside my bones. there are secret doors in the walls of my heart that only he knows about, because some knowledge can only be acquired in time. it is like studying a piece of art; it becomes more or less beautiful based on the craft that lies underneath, the base image that inspires the work in its whole. to him i am art, and to me he is truth: comprised not at once but by a series of moments, just as time itself.



a world grown weary
pretty smile
[info]jfink216

to hold out your arms to the world and say 'i am beautiful'... to ask it to swallow you whole. that is what it is like.

i have goosebumps and there are clothes all over my floor, because i live a real life and it runs me more than i run it. somehow it's october first, two thousand and nine and i just want to know-- when did that happen? where did this year go? where have my years gone? because i have lost so many things and my childhood is one of them.

i am writing a piece about death and it reminds me of so much death, too much death, too much loss, too many people that have slipped from my grasp. too many cliches and too many funerals and too many self-righteous pastors. too much of the pain the earth holds, the weight that presses down on it and makes it crack, earthquakes from the pressure of staying solid. night tremors from a world weary of itself.

sympathique
pretty smile
[info]jfink216

i live across from a man. well, actually, it's diagonal, but in terms of literary prowess that is not important.

i have this image of him in my head. we sit across from each other at his kitchen table, lights dim. his head is in his hands. the glass of coke and some unnamed alcohol sits between us. to me it is a barrier that keeps me from getting in. to him it is a barrier that keeps him from getting out.

i close the door to my apartment but i leave it unlocked for a minute or two on purpose, thinking that maybe he will come back. he doesn't. i close the door and i actually start to cry for him, which is shit and a waste of my time because you cannot cry for someone who refuses to cry for themselves. i'm emotional. i'm a sap, i know that. i empathize to a fault. i imagine that this man might need something that i can offer him, but tomorrow he will not remember that we even sat across from each other at his kitchen table and that we were blocked by this small, amber-colored wall. he will barely remember that we live across from each other. diagonal, that is. point being that i can not feel sad enough for him for the both of us. point being that he doesn't want the pity.

i used to think that people like this were just overdramatic. he may be, or he may be honest. hell if i can tell the difference; hell if i would doubt it for a minute, because i am the kind of woman that buys sob stories like they're going out of style. i am a woman who sobs like it's going out of style. every once in a while, i look at myself in the mirror and i think- josie, you are an idiot. i look at myself and i see my youth, i see my painfully obvious naivete. i see a woman with childish expectations about people living in a world without children. a world where childhood is sacrificed.

this man reteaches me how to swing dance and then tells me that he cannot think of a single thing in his life that truly matters to him. i tell him that having this conversation while he's drunk feels like cheating- like it's cheap- but he tells me it is not. we stare each other down for a second and i cannot help but think that there is something he's trying to tell me without also telling himself, but i can't figure it out before he looks away. this is the moment when i hate the alcohol, i hate it more than anything because it nullifies this. it doesn't count. we never sat across from each other at his table, we never talked about things that mattered, he never walked away from my unlocked door. they are events from another universe that we do not live in. they are made-up stories. they are things we dreamed of at the same time but forgot at different rates.

breathe, keep breathing
don't lose your nerve
breathe, keep breathing
i can't do this alone.

radiohead- exit music (for a film)


to be caught up in my own laughter
pretty smile
[info]jfink216

As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps, inhaled at each momentary recovery, lost finally in the dark caverns of her throat, bruised by the ripple of unseen muscles. An elderly waiter with trembling hands was hurriedly spreading a pink and white checked cloth over the rusty green iron table, saying: “If the lady and gentleman wish to take their tea in the garden, if the lady and gentleman wish to take their tea in the garden…” I decided that if the shaking of her breasts could be stopped, some of the fragments of the afternoon might be collected, and I concentrated my attention with careful subtlety to this end.

-Hysteria, T.S. Eliot
a house to call a home: i have my own place now. well, my roommate and i do. a dorm implies some level of responsibility or accountability to authority; an apartment means monthly payments and landlords. i have a lease with my name on it and a car i paid for. somehow the girl inside of me started to become a woman. who would have known? 

katy and i have made friends with the neighbors, because if there's one thing we're good at it's taking care of drunk people. nick is a graduate student with a chemistry degree and a lip ring. he also may or may not have a thing for katy, which makes me glad that she and i have seperate bedrooms and that i sleep like a log. he's a quiet one, nick, unless he's smashed and in the mood for conversation. i met him and his roommate sean friday night when they banged on my apartment door to introduce themselves. they had lots of good things to say about me naked until i had lots of good things to say about my boyfriend, after which they just had lots of good things to say about themselves naked. i poured them water- sean took it, nick stuck to his coke and whiskey- and we sat in the kitchen while we waited for katy to get back from dinner with her parents. it occured to me somewhere in that chain of events that maybe i should not be letting two men who are significantly older and stronger than me into my apartment when no one else is home, but it must have happened after the point when i opened the door. i have this cute habit of learning lessons too late. anyway. so there's an 80% chance that nick wants to screw my roomie six ways to sunday and a 98% chance sean wants to do the same. there is a 30% chance that i'll walk in on someone at some point and a 100% chance that it will be awkward for the rest of eternity.

i love neighbors, relationships, and my fiction writing class, the required materials for which are the following: a journal, an anthology, a road map, and a telephone book. this is the english i have been waiting for: the kind where the world opens up, where you sink deep and deep into the fabric of the world like a red wine stain, where people become breathing words and places become a series of adjectives. i want to understand things bigger than my sphere of the world and i want to write about them. this is the english that i love because it is bigger than english. this is what i care about because it is bigger than my body. i am rotating inside a larger world-- i wish for the beauty in it to be in my small one. i want the beauty of the world held inside my mind. it is a big thing to ask.

all my pride and shame
pretty smile
[info]jfink216

we have ten days until both of us leave for our seperate colleges. i know the first time leaving will be the hardest; i take some kind of solace in the fact that we're one year down and i will never have to rip my heart out like i did that night last august when i left him for the first time. we'll be eight hours and a time zone away. it feels like lightyears from here, when i've seen him almost every day this summer. i am trying to stay positive. there are so many things for him to go and do and see in the world, and i want that for him. i do not worry, because i know who i come home to at the end of the day- even if home can only be a phone call.

i have decided to concentrate this semester on not being a worrier. anxiety runs in my family and i am the kind of person who wants everything to be perfect, but i am going to content myself with a chance of imperfection this year. i am going to let things be crazy and unorganized every once in a while without feeling the need to step in and fix it. sometimes those kinds of situations don't need fixing.

this is me talking myself down. this is me saying okay, there is nothing i can do, let it be. this is me biting down the panic that swells up in my chest sometimes when i think about the kind of things we put ourselves through for this. it's far too early to cry about it and far too late to change my mind about being strong enough. i look back at things i wrote a matter of months ago, how i talked about how it wasn't as hard as i had thought it would be- that seems so far away from me now. i tell myself things are going to be okay, and i know they are, but it doesn't stop me from blinking back tears. i just know that if anyone could love me from hundreds of miles away, it would be him.


all my pride and shame
has boiled down to this-
one moment,
head thrown back
(is it worth it?)


i can't help but think of us as fighters. i know this entry is weepy and ridiculous and self-indulgant, and it may end up friends-only (just like the other 80% of my entries these days). i know it has no artistic value, but when i look back on some of the most important moments of my life i realize that i should have written less in metaphors and more in realities. there are so many precious things that have gone unchronicled. i believe that i will look back on this and be happy because yes, it was worth it. yes, you made it. by the grace of God, you made it.


haikus for years
pretty smile
[info]jfink216
i feel like a pianist- fingers on the keys. i feel like this is the only way i know how to make music. i feel like lately everything i write feels the same. i couldn't capture it if i tried. the energy is all too much, it is all too delicite and too present all at the same time and words don't begin to do it justice. i tell you that i want you to go but i just want you to stay; i tell you to get up when i just want to stay in this little space for a thousand years. i tell you all the things i cannot promise you and much more. there is a truth in saying that they words are not validated until the moment has come, when the yes is pivotal and we are legally here are spiritually bound and there are no more chances to fail. all i wanted are the things that you have, and you have so much more than what i asked for. you short-circut my brain. you make it hopeless to put together words. i think you might be destroying my career.

we chased medicine
through quiet forests: in love
we were foolish things

i played a cd
on repeat i knew you liked
weak point: subtlety

i wrote lines and lines
of lovely words; they were old
before they were new

i loved and loved you
in quiet, hopeful sadness
you strung me out, dear

you kissed me too late
i felt it coming and prayed:
my God, let it be

let it be, He said
the words were music spoken
simply to my heart

let it be, i said:
let it be the final thing
let it bring me peace

let it be, he said:
let me be the only thing
you could ever need

let me be your heart
and blood and soul; i have been
here forever, love

let me tuck you in
to the dreams you can now live
open your eyes, love

i am still here, love
i will be here forever
do not be afraid.

maybe, finally
pretty smile
[info]jfink216

http://www.youtube.com/watch?v=NdTjRumkT9k
http://www.drama21c.net/text/play.htm

sometimes i think to myself-- just...if there are already works like this out in the world, what then is the point of being a playwright? is there anything more to be said? anything? is there anything more to be said?

simple easy soft quiet. i am good at the things i do; easy enough to say. able and willing. except for this- except the words i write are good but never true. never quite right enough in the head. full of vague witticisms and cliches-- and misspelled unknown words. wrong music, stolen phrases. if only you knew the great magnificance of the languages i hear- these words would be inadequate to you. just as they are to me. i live the life of an artist- tortured but normal. you would be disappointed to meet me in real life outside of text boxes. i am just like anyone you would pass on the street. maybe less remarkable. no defining features except breasts, but that doesn't do much good unless you're a man and call tell these sorts of things. real too. small victories. so...brunette, average height, stacked. wave if you see me. stop and say hello. i could be very nearly anyone. completely replaceable. i don't know how that makes me feel. the world replenishes itself. for every good writer there is another in the womb. how is that for job security?

this music is all wrong. the closest i can get is a vague estimation-- running up the hill, placebo. like i've ever honestly listened to placebo in my whole life besides this singular song, which i think might even be a cover. i am an indie faker in the biggest way. bright eyes, regina spektor, the whole nine yards, but i still do not like boys in skinny jeans. poets are acceptable, musicians preferable. i thought i would love a poet until i realized we would probably end up killing each other and calling it true love and people would write awful books about derangement and i did not want that for myself. i date a musician instead; it is much better, he learned how to treat his women from his guitar and it has worked out well for me. he is the kind of man who turns down the sheets for me while i am downstairs in the kitchen and then does not stay the night. virginity looks good on me. the kind of man who wordlessly gives me everything i want before he so much as thinks about himself. he knows how to tell me no-- in that he is an eccentric musician. he knew what he was getting in to. i am a poet. indie faker at that. he used to wear skinny jeans, but i would not have dated him at fourteen. i would not have dated myself at fourteen. thirteen through fifteen are the Years of the Walking Time Bomb. terrible twos, version 1.5.

it has only occured to me just now that maybe i am not making any sense. maybe the things i think brilliance hides inside of are just words strung oddly together. in any case i know they are not miraculous- the things i write- but i have believed that they have potential. it may have been a mistake. it is possible that this is where my words will live forever; old souls in a decaying house. this may be the legacy i leave on paper. sometimes i honestly believe the things i write that have been published are only flukes. anomalies in a pattern of mediocrity. sometimes it seems that simple. and i could go on forever- i could write for another twelve pages- but maybe it's best to stop here. maybe all the thoughts of value have already bled out, maybe the three days this piece has been sitting on my computer screen has not given it time to sweeten but to fester. if you will forgive the analogy, maybe it is milk and not wine. maybe i left it too long and like some lost limb it cannot be put back together, maybe it has lost its shine before it even made it out into the world.

maybe i am running out of words that matter.

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